![]() Depending on the scene, there was also a kitchen table, a number of desks or two twin beds, side by side, with a night table in between.Īt one point, the script called for an audio recording of a family with a five-year-old son, in a scene where Loman’s boss is showing off the modern wonder of wire recording. (Although here there was no curtain, just a lot of jostling and positioning in the dark center of the room.)įinally, the lights came on, and the actors began playing out their roles over a small table and two chairs. Our uncomfortable chairs banged up against each other, elbows bumping in the dim light, biding our time in that pre-performance electricity before the curtain goes up. ![]() We lined the edges of a small ESL classroom, its walls cluttered with elementary-school grammar posters full of cartoon animals defining various parts of speech. I was invited by my buddy Andrew he was playing Willy Loman’s successful, yet cruel, brother. Each member of the cast got two hand-made tickets, covered in fancy hand-drawn lettering, to give out to friends, ensuring at least a sympathetic audience, if not an enthusiastic one.
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